"The Mysteries of the Wax Museum"
Waxing lyrical about Ruby. |
Season 2 Episode 16 (episode 42 overall)
Original broadcast date: 2 January 1990
Writer: Jimmy Hibbert
Additional voices: Dr. Matrix: Jimmy Hibbert
Additional voices: Dr. Matrix: Jimmy Hibbert
Android Nanny: Brian Trueman
Android Igor/Hawkeye Soames: Jack May
Android Duckula/Dr. Potson: David Jason
Joke credit: Make Up – Ruby Tallow
Travel location: London, England
Castle transport visual used.
So to get things moving along, we cut to the inside where we meet Matrix, a crazy doctor who talks to himself (Hibbert naturally) thus providing exposition. His plan is to make a living waxwork of someone and have them rob the Bank of England for him. Decent enough idea, since someone else will get the blame and the android clone will presumably be destroyed afterwards, leaving the doc’ in the clear. With all that money, maybe he could buy a ruby for his wax? Geddit?! OK, enough with the Ruby Wax jokes.
Matrix may be crazy, but he’s also cunning. He flatters Duckula into agreeing to be modelled for a waxwork (can you make a waxwork of a feathery fellow?) so he can use him and his servants for his plan. I like how Matrix makes out that he’s being presumptuous in asking while the Count is only too eager to be modelled. Once again, Duckula’s high opinions get him into trouble. Igor, to his credit doesn’t want it this to happen, accusing his master of debasing the family name in doing so. But even he is forced to admit that Matrix’s modelling machine is ‘fun’. Throughout this part Matrix refers to his models as his ‘children’ which Igor finds ‘appallingly sentimental.’ As a cartoonist myself, with my own creations – I’m afraid I’m with Igor on this one. As usual. Even Duckula thinks it's a bit odd! What follows is a weirdly trippy bit of effects animation as Duckula and co. get their anatomical make-up copied and stored in Matrix's machinery. It's quite different and really stands out. See the visuals at the foot of this review.
Some fast smear animation and multiples as Matrix adjusts the voiceboxes. |
Later, once the androids are completed, things get a bit awkward. After a funny little ‘what if?’ bit where the voice boxes get muddled, the Duckula clone storms off in a huff while the real Duckula returns to see how the figures are coming along. Matrix at first assumes it is his android returning and so, is more brusque with him that he probably should be. Duckula doesn’t cotton on though and leaves, along with the android Igor and Nanny whom he assumes are the real things. The android Duckula also returns and then leaves with the real Igor and Nanny assuming them to be his fellow androids. It’s all choreographed pretty well without it coming across as clunky, unlike the androids' deliberately robotic speech (they use a vocal filter). The only other clues the viewer gets are that the androids have comedy antennae springing from the top of their heads and the ‘Nanny’ (or should that be 'Nandroid'?) one has its sling on the wrong arm. Out of all the possible animation errors this series could have committed, they never drew Nanny's sling on the wrong side!
While the two trios go about their business, the Igor and Nanny androids bemoan the fact that the other group managed to rob the bank before they could get there. Duckula hasn’t a clue what they mean so the androids grab him and haul him back to the laboratory. Meanwhile the Duckula android robs the bank (offscreen) with the help of the real Nanny with Igor standing outsight ‘as a lookout’ and returns to base ('Oh please milord, not the wax museum AGAIN!') While Nanny just assumes the robbery is all some funny tourist game, Igor is actually proud, assuming his master to have committed an evil act at last. This explains the lookout part, since Igor needs to be kept in the dark until the robo-duck offers the explanation allowing for Igor's pleased reaction.
‘How delightfully evil! There’s hope for you yet!’ |
Sadly when he arrives at the museum, he’s confronted with two (almost) identical sets of ‘crooks’. This doesn’t throw him for long and he boldly announces that ‘as a consequence you’re ALL under arrest.’ This prompts the mad doctor to set his androids after the detectives while soon afterwards, the real trio want to give Matrix a pasting themselves! A chase through London ensues with the detectives escaping in a rowboat while the androids try to swim after them only to malfunction and drown.
The real Duckula orders the real Nanny to hold the Doctor and soon enough Soames and Potson come to claim him – and also all of the credit. To be fair, this is probably Soames' most successful deduction, but he really should have shared the glory with Duckula as well. It might also have been an idea to take him in for questioning, but as is obvious by this stage, he’s no Sherlock.
Just to make things worse, Igor now points out that if they don’t hurry, the castle will return without them. Sure enough it does – so Duckula screams in frustration to close the story off.
A good, if routine episode. Nothing especially stand-out, but nothing dull either and a welcome return of Soames and Potson, who are pretty well-observed parodies. All very nice and farcical. I recall seeing this being played on a TV store’s window back when Sky One re-ran the series.
Music: 'Suicidal Failure' (Cage) - title card. 'This England' by John Leach plays plays under the opening narration.
'Horse Feathers' (Philip Green) (5m40s) plays when the Count tries to convince his staff to re-enter the museum.
'Lonely Violin' (track 131 - Dick Walter) for Soames violin playing. The trumpet-y theme last heard for Commodore and The Major from ‘Jungle Duck’ is heard when Duckula learns Matrix wants to make a model of him. It is "Working Party" by Paul Lewis. 'Pecking Orders' by Joe Griffiths plays when the robotic Nanny and Igor take the real Count back to the museum. Other than that, I don’t recognise many of the cues used in this one, other than 'Dark Doings' (track 61) by Simon Richard Benson which gets used again in the final Soames and Potson episode in this series. It’s used as S&P moor the boat and arrest Matrix. A variation on this plays when Duckula pinches himself. A lot of weird syntho' style music accompanies the androids' scenes. The chase scene is underscored with 'Charlie Chaplin's Chase' by Keith Papworth and the ending uses 'Sinister Link' by John Leach (track 10).
Some pans and BGs: You can tell the same team worked on this one as in episodes like 'Astro Duck'. Both have the large areas of flat orange/salmon colours in the layouts in parts. Some nicely detailed overhead shots of London streets too.
'Lonely Violin' (track 131 - Dick Walter) for Soames violin playing. The trumpet-y theme last heard for Commodore and The Major from ‘Jungle Duck’ is heard when Duckula learns Matrix wants to make a model of him. It is "Working Party" by Paul Lewis. 'Pecking Orders' by Joe Griffiths plays when the robotic Nanny and Igor take the real Count back to the museum. Other than that, I don’t recognise many of the cues used in this one, other than 'Dark Doings' (track 61) by Simon Richard Benson which gets used again in the final Soames and Potson episode in this series. It’s used as S&P moor the boat and arrest Matrix. A variation on this plays when Duckula pinches himself. A lot of weird syntho' style music accompanies the androids' scenes. The chase scene is underscored with 'Charlie Chaplin's Chase' by Keith Papworth and the ending uses 'Sinister Link' by John Leach (track 10).
Some pans and BGs: You can tell the same team worked on this one as in episodes like 'Astro Duck'. Both have the large areas of flat orange/salmon colours in the layouts in parts. Some nicely detailed overhead shots of London streets too.
A few London landmarks here. This pans right to open and left to close. |
Spot the punny names. I'm hearing Brian Trueman's BOOMING ACTOR voice for Henry VIII. |
Sherlock Holmes, Danger Mouse and Hawkeye Soames. Well, 2 great detectives out of 3 ain't bad. |
The plain wall has some detail on the edges and none in the centre - it makes the characters stand out well, even though it's a brief shot. |
A couple of diagonal pans are used too, so we can't see the whole background. |
Trivia
*The title of this episode may be a reference to ‘Mystery of the Wax Museum’ – a horror film from 1933 directed by Michael Curtiz. The sculptor in that film is called Ivan Igor.
*First episode to be broadcast in 1990
*First episode to be broadcast in 1990
*The castle interior is not seen in this episode. The exterior, only briefly.
*Episode does not start with a scream but ends with Duckula’s.
*The entire episode takes place in London. One of a handful of episodes where Transylvania is not seen at all, the first being ‘The Ghost of McCastle McDuckula’.
* Dr Matrix sounds and looks a lot like the mad doctor in the "Alias the Jester" episode "The Walking Island."
*One of three episodes that start off in London. The others being 'The Great Ducktective' and 'Around the World in a Total Daze.'
*One of three episodes that start off in London. The others being 'The Great Ducktective' and 'Around the World in a Total Daze.'
* The narrator announces that London is a ‘city safe so far from the attentions of the vampire.’ If we take all these episodes in chronological order, this is incorrect as Duckula and co first visited London in ‘All In A Fog’, where they first met Soames and Potson.
*2nd appearance of Soames and Potson. They seem contracted to appear once a season, like the Mutinous Penguins.
*When Duckula looks through picture postcards we see photos of the places (all very Danger Mouse!) and he not only gets the places the wrong way about, but pronounces them wrong too. This is certainly not a goof given the Count's oft-demonstrated ignorance.
*We can see what appear to be some regular humans on some of the souvenirs in the shop window.
*Matrix’s name is not a reference to the film ‘The Matrix’ since this episode predates the film by a decade. The name is most likely used to refer to the fact that the Doc’ is the centre of the whole operation and creation, from which all his waxworks extend. A hub if you will. Duckula always mispronounces his name as ‘Ma-tah-rix’ whereas the Duckula android always calls him ‘Prof’ which he doesn’t like.
*A rare episode where Jimmy Hibbert voices only one character.
*An equally rare episode where Nanny destroys nothing!
*A rare episode where Jimmy Hibbert voices only one character.
*An equally rare episode where Nanny destroys nothing!
*In Matrix’s museum we see Duckula-ised models of Napoleon Bonaparte (Kakapart), Dick (Duck) Turpin, Robin Hood(?) - no pun needed, Cleopatra, Achilles (Larkilles), Henry (Heron) the 8th, Florence Nightingale (no pun needed), Charlie Chaplin (Chaffinch), The Beatles (Beakles), Mick (Duck) Jagger and Laurel and Hardy. A Viking also appears, reminiscent of the ones from ‘The Mutinous Penguins’. The altered names could also double up as a reference to the fact that this is clearly an off-brand Madame Tussauds.
*Third time in the series Jimmy Hibbert plays a mad doctor. He'd also play one in 'Danger Mouse.'
*Brace yourself for a barrage of the technical-seeming words that show up on the Doctor's viewscreen: Alpha, delta, size, index, mentaco, extrapol, transet, base mass, infro, elex-posi, expul-o, query, cetix, check, scan, plexi, track, dalto, bonix, chaco, ontio, coordinat, density, track-out, x-contour, particle, upscanner, alponett, norisspox, henfluxor, copax data, plexi axis, expos axis, vecta cort, codex cort, infra mass, baser mass, alpha size, mazem size, diode quad, index quad, multa data, betaiod, exput-o, in-data, set-up, bypass, code 9, quarter, en-turn, try b+O, betelox, E=mc2 (thanks Einstein!), gets, elex, obet, lada (a type of car we used to have incidentally), quadl, obet, vecta, hasu, tilt, yps9, I❤NY (haha guys!), beak, zoap, robot, chig, jump, murtiz, metgoh, edetiz, mentat, neoraa, yzfant, neuron, adelix, and aetgok. And a whole bunch of numbers too. Phew! Any of that mean anything to all you boffins out there?
*The android Nanny has its sling on the wrong arm. Something the people in charge of all the current merchandise should take note of! They invariably get it wrong too.
*The android Duckula s-s-sst-stah-stutters, much like the Count's early appearances in 'Danger Mouse.' Something which David Jason says he learned from Ronnie Barker when he worked with him on 'Open All Hours.' (Source: 'David Jason: My Life On Screen.')
*Brace yourself for a barrage of the technical-seeming words that show up on the Doctor's viewscreen: Alpha, delta, size, index, mentaco, extrapol, transet, base mass, infro, elex-posi, expul-o, query, cetix, check, scan, plexi, track, dalto, bonix, chaco, ontio, coordinat, density, track-out, x-contour, particle, upscanner, alponett, norisspox, henfluxor, copax data, plexi axis, expos axis, vecta cort, codex cort, infra mass, baser mass, alpha size, mazem size, diode quad, index quad, multa data, betaiod, exput-o, in-data, set-up, bypass, code 9, quarter, en-turn, try b+O, betelox, E=mc2 (thanks Einstein!), gets, elex, obet, lada (a type of car we used to have incidentally), quadl, obet, vecta, hasu, tilt, yps9, I❤NY (haha guys!), beak, zoap, robot, chig, jump, murtiz, metgoh, edetiz, mentat, neoraa, yzfant, neuron, adelix, and aetgok. And a whole bunch of numbers too. Phew! Any of that mean anything to all you boffins out there?
*The android Nanny has its sling on the wrong arm. Something the people in charge of all the current merchandise should take note of! They invariably get it wrong too.
*The android Duckula s-s-sst-stah-stutters, much like the Count's early appearances in 'Danger Mouse.' Something which David Jason says he learned from Ronnie Barker when he worked with him on 'Open All Hours.' (Source: 'David Jason: My Life On Screen.')
*Igor refers to the general public as ‘the madding crowd’. This is possibly a reference to Thomas Gray’s poem 'Elegy Written in a Country Churchyard', 1751.
* The Bank of England also gets referenced in 'Cat-Astrophe' (Danger Mouse) and appears in 'Hyp-Not-Isn't' (Victor and Hugo)
* The Bank of England also gets referenced in 'Cat-Astrophe' (Danger Mouse) and appears in 'Hyp-Not-Isn't' (Victor and Hugo)
*Soames and Potson appear to live at 622b Baker Street - so Holmes and Watsons' neighbours then? Their address was 221B. We can even see a glimpse of what may be Danger Mouse’s pillar-box.
*Soames says ‘Elementary my dear Potson’ which of course, Sherlock Holmes never said – well not to Watson anyway since his name isn't Potson. He also says 'discretion is the better part of valour' which is a quote from 'Shakespeare's Henry IV, Part 1' (1596). It means that it is better to avoid a dangerous situation than confront one. Which is what they do in running away from the androids.
*The same layout of the flat's interior would get reused in 'The Great Ducktective' except there, it's repainted in evening colours and has a different chair and some chemical apparatus on an overlay. The curtains and carpet/rug also look redrawn.
*The same layout of the flat's interior would get reused in 'The Great Ducktective' except there, it's repainted in evening colours and has a different chair and some chemical apparatus on an overlay. The curtains and carpet/rug also look redrawn.
*Only time in the series Igor is explicitly referred to as being a vulture. Hawkeye Soames says it.
*Matrix echoes Nanny's 'Duckyboos' in puzzlement. Other characters in the series will do/have done this.
*Matrix echoes Nanny's 'Duckyboos' in puzzlement. Other characters in the series will do/have done this.
*Igor and Duckula do a Soames and Potson exchange near the end, Igor taking the Soames part and Duckula the Poston part. This could be a play on the fact that they are both voiced by the same two actors respectively.
*This episode was released on VHS along with ‘The Lost Valley’ and ‘The Return etc.’ in 1990. Some artwork from the cover was repurposed for the 3rd DVD set. This doesn’t make a lot of sense as, while Soames and Potson did appear in season 3, Matrix did not, making his inclusion on the cover and discs misleading. My guess is the DVD makers ignorantly assumed he was Von Goosewing. Or they simply didn't care.
*Couple of brief uses of stock Igor and Nanny animation. Some animation of the trio near the end gets reused in 'Around the World in a Total Daze', also near the end. Some of Soames playing his violin gets reused in the open to 'The Great Ducktective' though the background is different.
*Igor refers to 'Dawn, Eastern Transylvanian standard time.'
*Couple of brief uses of stock Igor and Nanny animation. Some animation of the trio near the end gets reused in 'Around the World in a Total Daze', also near the end. Some of Soames playing his violin gets reused in the open to 'The Great Ducktective' though the background is different.
*Igor refers to 'Dawn, Eastern Transylvanian standard time.'
*The joke credit is a reference to Ruby Wax, although she does not appear in this episode.
*Storyboard artists: Alan Case and Vin James. Both prolific artists for the tie-in books and comics.
*Storyboard artists: Alan Case and Vin James. Both prolific artists for the tie-in books and comics.
Goofs and Nitpicks
*Some zooming issues on prints of this episode mean we see a few cel numbers in the corner when Duckula returns to the irritated Doctor Matrix and there are some cropping issues on the two trios as they chase him out of the museum. Cropping issue too as Matrix looks at his machine while Duckula is inside. I'll have to check my VHS some day to see if these issues were present there as I don't think they were been intended to be seen. It's unfortunate and not really a common issue, but the sound and picture quality of the zoomed out prints is exceptional. A partial trade-off.
Lets close off with some of those crazy digital effects on Matrix's machine. I don't know if these were done on cel or computer.
Lets close off with some of those crazy digital effects on Matrix's machine. I don't know if these were done on cel or computer.
Igor and Nanny's bit isn't as extensive - they don't want to eat up too much screentime! |
Some more effects animation on the electritcity. I half-expect Colonel K to appear, especially given the sound effect they use! |
The first episode I saw and fell in love with a vampire duck. Ten years ago I saw the first episode of 'Count Duckula' and it quickly became my favorite cartoon. I fell in love with it - it was different from American cartoons. '' Duckula had a great class and great characters (Igor <3) After many years I realized how morbid the character was, but never became too dark. He occupied the dark side but never became too dark.
ReplyDeleteIt was the best series that Boomerang could broadcast (now replaced by Bunnicula.) I understand that he was the first vampire vegetarian, but the new vampire rabbit adventure is not for me.
I saw the topic of "Count Duckula" on the Polish Boomerang in the forum "Duckyboos". Yes, the cartoon duck was out there. This was the second dubbing. 'Duckula' with the first dubbed was broadcast on tvp2 (Polish public television station). The vampire appeared there for the first time in 1993 on vacation (this year before my birth, yes, I'm young hehe). He returned in 1994 and in the 90's he was emitted very often.
Sorry for my bad English. English is not my first language. I was nervous writing a comment. Sounds fun as I'm guessing.
https://www.youtube.com/watch?v=7UBH0dj2rIA <--- intro first polish dubbing.
https://www.youtube.com/watch?v=oNXB-aYutRY <--- outro first polish dubbing.
In Poland we knew Duckula as Hrabia Kaczula.
Count- Hrabia
Duck- Kaczka.
Thank you for that very informative comment. Stuff like this is always interesting to know for fans of this series. I suppose some folks do still check in to that old message board from time to time. This blog is something I've been meaning to do for a good long while and I'm delighted it's been getting more popular of late. I noticed there were a lot of hits from Poland, so that's logical. I came across a well-worded review of the series written in Polish and wondered if it could have been done by yourself or whether that is pure coincidence. Oh and don't worry about your English - it's miles better than my Polish at any rate!
DeleteJarosław Domin is one of Duckula's best voices.
DeleteIs it possible that Doc Matrix is a pun on Dot Matrix, the style of printer?
ReplyDeleteCan't believe I never thought of that! If Count Duckula had called him 'doc' and not 'prof' I would almost certainly have spotted that.
DeleteOne of my Facebook friends was doing work experience at Cosgrove Hall around the time this episode was being produced, and after someone else noticed the framing/cropping issues, he was able to explain the story behind them. Which, as far as I can remember went as follows:
ReplyDeleteAt the time of production (late 1987/early 1988, my friend reckons), Cosgrove Hall was also hard at work on their adaptation of 'The BFG'. It was originally planned that this film would be released in cinemas, and as such, CH purchased new camera equipment, designed for shooting in the theatrical standard of 16:9. They did use this equipment, but also saw fit to shoot parts of other productions with it (possibly as a cost-saving measure), one of these being 'Duckula'. Which, being a television production, was normally shot on cameras designed for the television standard of 4:3.
This may seem odd, considering that 4:3 is square, whereas 16:9 is rectangular. However, most widescreen productions are actually shot in full-frame 4:3, with the top and bottom cut off during editing to give a 16:9 picture. This is how they were able to shoot 'Duckula' in full-screen using widescreen equipment.
However, a 16:9 camera shooting in full-frame tends to reveal more than a normal 4:3 camera, and so the operators had to be careful when shooting, so as not to catch things like cel numbers and characters suddenly being cut off. For the most part, they managed this by slightly zooming in before shooting, but sometimes you'd get someone who forgot to do this, resulting in goofs like those you've pointed out.
In this case, as the framing for conventional 4:3 is smaller than that required for full-frame 4:3, you get characters suddenly disappearing just short of the actual edge of the picture. For instance, when our heroes chase Matrix out of the museum, you can see them disappearing behind the cut-off line which would normally indicate the edge of the frame when shooting in conventional 4:3. Possibly such lines would also have been used to help the widescreen camera operators to zoom in just the right amount.
Presumably, it would have been too time-consuming or expensive to fix such errors in post-production, and possibly moreso to reshoot the scene. Hence why such glaring examples appear here. Nowadays, of course, it'd be a lot easier to 'fix it in post'. (Mind you, everything's done in 16:9 anyway these days, so you wouldn't get this problem in the first place!)
Of course, you've probably found all this out since publishing this particular review, but I found it just too fascinating to keep to myself, and I figured some of your other readers would find it interesting as well...
Thank you for that information! Very interesting. I did not in fact know this one, but it makes sense when it's explained like that. By Jove, how does the fellow do it!
DeleteThe music playing the opening narrative scene of the wax museum episode of Duckula is "This England" by John Leach.
DeleteUnfortunately, that link will not play for me, but I'll take your word for it.
DeleteHello I have been trying to figure out what music is playing when duckula goes into the museum at 9:46 that "syntho' style music"?
DeleteI don't know the source of that tune sorry.
Delete